By D. K. Tharanga, JadeTimes News
Netflix’s “Under Paris”: A New Wave in Global Cinema
Uncover the captivating tale of a man eating mutant shark in the Seine with 'Under Paris,' a thrilling French eco-thriller challenging Hollywood's norms.
The film introduces “Lilith,” a man eating mutant shark in the Seine, captivating audiences and surpassing “Emily in Paris” to become Netflix’s top film.
“Under Paris” challenges Hollywood’s current offerings, suggesting that US studios could benefit from the innovative approach of international cinema.
The success of “Under Paris” follows the trend set by the Japanese film “Godzilla Minus One,” which achieved critical acclaim and an Academy Award despite its modest budget. These films have found favor with audiences seeking simpler, more engaging stories over the complex universes of Marvel and DC. Despite its B movie status, “Under Paris” utilizes the scenic backdrop of Paris and director Xavier Gens’s flair for impactful imagery to create a compelling visual experience. The film’s strategic use of suspense and the sparing reveal of the shark character, Lilith, adds to its mystique and appeal.
The narrative follows oceanographer Sophia, played by Bérénice Bejo, as she investigates the effects of pollution on sharks, leading to the discovery of the mutated shark, Lilith, in the Seine. The film weaves ecological themes with a fast paced thriller plot, adding layers of political commentary through the portrayal of Paris’s mayor and her priorities.
Historical Context and Future Implications
“Under Paris” draws inspiration from Spielberg’s “Jaws,” echoing its narrative ingenuity and critique of political negligence.
The film’s success points to a potential shift in Hollywood, where a return to concept-driven storytelling and authentic performances could lead to a new era of blockbuster hits.
“Under Paris” exemplifies the importance of adaptability in storytelling and may serve as a model for future successes in the film industry. The film’s reception indicates a growing audience appetite for films that prioritize engaging narratives and substantive themes over high budget spectacle.
